Communication and ‘revolt’

Bert Olivier
University of the Free State
Share:

How to Cite

Communication and ‘revolt’. (2022). Communicare: Journal for Communication Studies in Africa, 25(2), 1-12. https://doi.org/10.36615/jcsa.v25i1.1736
  • Articles
  • Submited: October 18, 2022
  • Published: October 20, 2022

Abstract

‘Revolt’ is usually associated with ‘rebellion’, or ‘revolution’ in a political sense, and at an intuitive
level there is certainly a connection or similarity among these three concepts. The psychoanalytical
theorist and philosopher, Julia Kristeva, has however developed a notion of ‘revolt’ (and, related
to it, of ‘revolution’) that goes far beyond the common understanding of the term. Moreover, in her
understanding of the concept, ‘revolt’ may indeed be a ‘communicational’ prerequisite for contemporary
‘globalised’ society to break out of an invidious (and potentially violent) standoff between a dominant
world culture, subject to the logic of the market, on the one hand, and a fundamentalist ideological
reaction to it, on the other. Kristeva points the way to a creative enlivening of individuals’ lives, as
well as of society at large, through her passionate elaboration on the potential for ‘revolution’ in
language and communication, and also her development of the notion of ‘revolt’ as a legacy of
Western culture – a legacy which is under threat in the present ‘culture of the spectacle’.

References

  1. Adorno, T.W. (1978). On the fetish-character in music and the regression of listening. In The essential Frankfurt School reader. Edited by Arato, A., & Gebhardt, E. New York: Urizen Books.
  2. Appenzeller, T. & Dimick, D.R. (Editors). National Geographic, 2004 (September): Global warning - Bulletins from a warmer world.
  3. Copjec, J. (2002). Imagine there's no woman. Ethics and sublimation. Cambridge, Mass.: The MIT Press. https://doi.org/10.7551/mitpress/3668.001.0001
  4. Dada Retrospective Exhibition. 2006. Dada Brochure. National Gallery of Art, Washington, DC, February 19 - May 14.
  5. Dada Retrospective Exhibition. 2006a. Dada Student Guide. National Gallery of Art, Washington, DC, February 19 - May 14.
  6. Economou, I. (2005). Motopomo: The historical-theoretical background to contemporary graphic design practices. Unpublished M.Tech. dissertation. Port Elizabeth: PE Technikon.
  7. Freud, S. (1957). Formulations regarding the two principles in mental functioning. In A general selection from the works of Sigmund Freud. Rickman, J. (Editor). New York: Doubleday Anchor, pp. 38-45.
  8. Freud, S. (1957a). Beyond the pleasure principle. In A general selection from the works of Sigmund Freud. Rickman, J. (Editor). New York: Doubleday Anchor, pp. 141-168.
  9. Hutcheon, L. (1989). The politics of postmodernism. London: Routledge.
  10. Kovel, J. (2002). The enemy of nature. The end of capitalism or the end of the world? London & New York: Zed Books.
  11. KoKristeva, J. (2000). The sense and non-sense of revolt: the powers and limits of psychoanalysis, Vol. I. Translated by Herman, J. New York: Columbia University Press.
  12. Kristeva, J. (2002). Revolt, she said. An interview by Philippe Petit (Rainer Ganahl, & Rubén Gallo). Translated by O'Keeffe, B. New York: Semiotext(e).
  13. Lacan, J. (1997). The ethics of psychoanalysis. 1959-1960. The seminar of Jacques Lacan - Book VII. Translated by Porter, D. New York: W.W. Norton.
  14. Mallory, J. (1971). Collins Gem Dictionary of Biography. London: Collins.
  15. McAfee, N. (2004). Julia Kristeva. New York: Routledge. https://doi.org/10.4324/9780203634349
  16. Olivier, B. (2003). Discourse, agency and the question of evil (An examination of the so-called 'ripper-rapist' case from a perspective opened up by Joan Copjec, Kant and Foucault). South African Journal of Philosophy, 22 (4): 329-348.
  17. https://doi.org/10.4314/sajpem.v22i4.31377
  18. Olivier, B. (2005). Lacan and the question of the psychotherapist's ethical orientation. SA Journal of Psychology, 35 (4): 657-683.
  19. https://doi.org/10.1177/008124630503500404
  20. Olivier, B. (2005a). Nature, capitalism, and the future of humankind. South African Journal of Philosophy, 24 (2):121-135. Olivier, B. (2005b). Beyond Kierkegaard's aesthetic and ethical models as paradigms of art. South African Journal of Art History (SAJAH), 20: 176-187.
  21. https://doi.org/10.4314/sajpem.v24i2.31420
  22. Olivier, B. (2006). The question of an appropriate philosophical response to 'global' terrorism: Derrida and Habermas. Paper presented at the annual PSSA Congress, Rhodes University, South Africa. Submitted for publication.
  23. Reggio, G. (Director). (1983). Koyaanisqatsi (Motion Picture). Musical score: P. Glass; Cinematography: R. Fricke. Institute for Regional Education & MGM.
  24. Reggio, G. (Director). (1988). Powaqqatsi (Motion Picture). Musical score: P. Glass; Director of Photography: Graham Berry & Leonidas Zouroomis. MGM.
  25. Reggio, G. (Director). (2002). Naqoyqatsi (Motion Picture). Musical score: P. Glass; Director of Photography: Russell Lee Fine. Miramax Films.
  26. Silverman, K. (1983). The subject of semiotics. New York: Oxford University Press.
How to Cite
Communication and ‘revolt’. (2022). Communicare: Journal for Communication Studies in Africa, 25(2), 1-12. https://doi.org/10.36615/jcsa.v25i1.1736

Send mail to Author


Send Cancel

Custom technologies based on your needs

  • ORCID
  • Crossref
  • PubMed
  • Clarivate