Critical Narrative, Storytelling, and Black Psychosocial Analysis of Mpondoland A review of Hugo Canham, Riotous Deathscapes

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Kudzaiishe Peter Vanyoro University of Johannesburg image/svg+xml https://orcid.org/0000-0001-8146-9342

Keywords

mpondo, Afro-decolonial thought

Abstract

The book ‘Riotous Deathscapes’ by Hugo Ka Canham proposes Mpondo Theory as a both a black and indigenous way of understanding life and death. Canham writes with a deep sense of emotion. These are emotions that reveal the author’s deep connections with Mpondoland. One is not surprised by this, seeing how, the author has previously written on subjects such as protest and black rage in prior works (see Canham, 2017; 2018; 2024).

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References

Canham, H. (2017). Embodied black rage. Du Bois Review: Social Science Research on Race, 14(2), 427-445. https://doi.org/10.1017/S1742058X17000066 DOI: https://doi.org/10.1017/S1742058X17000066

Canham, H. (2018). Theorising community rage for decolonial action. South African Journal of Psychology, 48(3), 319-330. https://doi.org/10.1177/0081246318787682 DOI: https://doi.org/10.1177/0081246318787682

Canham, H. K. (2024). Black women’s filicidal rage in zones of impoverishment. African Identities, 1-16. https://doi.org/10.1080/14725843.2024.2394180 DOI: https://doi.org/10.1080/14725843.2024.2394180

Ka Canham, H. (2023). Riotous deathscapes. Wits University Press: Johannesburg. https://doi.org/10.1215/9781478024224 DOI: https://doi.org/10.1515/9781478024224