Leave Her Alone, She Speaks the Truth Alphonsine as a Spiritual Vessel of Nyina Wa Jambo in Katori Hall's Play, Our Lady of Kibeho
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Keywords
Postcolonial feminism, Christianity, Textual analysis, Katori Hall
Abstract
Most feminist debates, including Western Feminism and postcolonial strands of feminism such as African Feminisms, place emphasis on religion – specifically Christianity – as an oppressive structure dominating women, and justifiably so. Within feminist and colonial discourses, however, Christianity occupies complex, ambiguous spaces. In considering Christianity’s positioning within colonialism and feminism, an African feminist position should seek to recognize the contradictions inherent in Christianity and, by extension, facilitate the nuanced experiences women in postcolonial, global South contexts have with Christianity. While some women might find Christianity oppressive, others may find it deeply fulfilling and others still may experience these dichotomies simultaneously. This article presents an African feminist reading of Katori Hall’s play, Our Lady of Kibeho (2018). Inspired by real-life events and centering Christianity (specifically Catholicism), Hall’s play tells the story of three Rwandan convent high-school girls – Alphonsine, Anathalie, and Marie-Claire – whose Marian apparitions garnered widespread attention. Through a textual analysis of, primarily, Alphonsine, who reportedly had the first and most frequent visitations, Christianity is proffered as a site of concurrent oppression and liberation. This article does not engage in the specificities of Catholic doctrine, but rather offers a discussion of varied encounters with Christianity.
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